New Arrivals
 
 Painters
 Jayne Adams
 Christine Brenner
 Vern Broe
 Christopher Castelli
 Daniel J. Corey
 Sandra L. Dunn
 Amanda Edwards
 Sally Caldwell Fisher
 Jeffrey T. Fitzgerald
 Philip Frey
 Edward Gordon
 Ellen Welch Granter
 Ed Hicks
 William B. Hoyt
 Henry Isaacs
 Karen McManus
 Craig Mooney
 Barbara Jones Peabody
 Tom Puschock
 Monique Sakellarios
 Janis H. Sanders
 Jill Valliere
 Gretchen Huber Warren
 Abbie Williams
 David Witbeck
 Sue Zylak
 Sculptors
 Kathleen Blackmer
 Amanda Edwards
 Abby Huntoon
  Huston and Company
 Robin Mix
 Elizabeth Ostrander
 Patrick Plourde
 James Rivington Pyne
 Digby Veevers-Carter
 Andreas von Huene
 Lyman Whitaker

 

 

Craig Mooney
 
Craig Mooney's roots in art go back to his youth. As a young child, born and raised in Midtown Manhattan, the artist began to draw inspiration from his father, a physician and avid amateur painter. Mooney would scour office-building rubbish bins on weekends for art supplies. This led to some ''memorable'' finds but some less memorable artistic creations. The city was an immensely inspirational place for the young artist. Especially on weekends, when the city streets would empty and leave a vast canyon of office towers in it's place to be explored. Mooney left the city in 1988 to attend Wheaton College (MA) just outside of Boston where he received his BFA in 1992. Boston, he found to be as rich a city in the arts as NY and took advantage of the college's close proximity to museums by visiting them frequently. During and after college, the artist worked with the filmmaking team Merchant Ivory Productions in New York, Texas, and London. Some of these productions include ''Ballad of the Sad Cafe,'' ''Remains of the Day,'' and ''Howard's End.'' Mooney secured his first large commissioned work from New York Hospital in 1995. This resulted in a series of works for the hospital and Cornell Medical College. Earnings from this early commission allowed the artist to move to rural Vermont to set up a studio. Currently, Mooney maintains a studio in Vermont. His focus now is in painting large, semi-abstract landscapes inspired by his surroundings. There is a strong emotional undercurrent to his work. Because Mooney does not paint specific places, his work seems to evoke a sense of familiarity in viewers. Growing up in such a cramped and congested environment as Manhattan instilled in the artist a great sense of curiosity and appreciation for wide-open spaces.