Checking The Traps 24x24 $3900 Oil on Canvas
When Maine Art Hill invited me to create this collection, I initially thought it would be a relatively straightforward project. After spending time away from the easel exploring woodcut printmaking, I looked forward to returning to the studio and creating ten new paintings for the exhibition.
As often happens with creative work, the journey took some unexpected turns. Early ideas led me back toward familiar territory, but I found myself searching for something fresh, new ways of approaching subjects that have been part of my work for many years. Looking back at a handful of earlier paintings, I began revisiting some favorite themes, including figures holding fish, lobsters, and clams, while experimenting with a different visual approach.
Table Bound 30x30 $6100 Oil on Canvas
Today's Haul 30x30 $6100 Oil on Canvas
Curtis 30x30 $6100 Oil on Canvas
One of the biggest changes was my palette. Traditionally, I work with nine or ten colors plus white, but for this series, I challenged myself to simplify. I reduced my palette to just a bright primary red, two yellows, two blues, burnt umber, and white. The result was a collection of paintings with greater color intensity and fresh energy. Every now and then, I couldn't resist adding a touch of cobalt teal, but overall the limited palette pushed me in exciting new directions.
Another recurring presence in these paintings is the seagull. What began years ago as a small, humorous addition to a few pieces has gradually become an important character in the work. The gulls bring personality and a touch of whimsy, while also serving as companions to the solitary figures that often inhabit my paintings. Their popularity has surprised me and encouraged me to continue exploring them on a larger scale.
Heavy Trap 36x36 $8,700 Oil on Canvas
Third Course 24x24 $3,900 Oil on Canvas
Morning Routine 36x36 $8,700 Oil on Canvas
Like most years, the work unfolded steadily through my regular studio routine, although New England weather and a trip to London provided a few welcome interruptions along the way.
Completing this collection has also allowed me to reflect. Having recently turned 79, I feel fortunate to be still doing work I love and to remain excited about exploring new creative challenges. While painting continues to be an important part of my life, I'm also looking forward to spending more time traveling, enjoying our boat, and embracing experiences beyond the studio walls.
At the same time, I am eager to continue developing my skills as a printmaker. This summer I'll be attending a woodcut workshop in Gloucester with an artist whose work I've admired for many years. My studio is already rearranged, the printmaking tools are ready, and I'm excited to see where this next creative chapter leads.
This collection represents both a continuation of familiar themes and a willingness to explore new possibilities, a balance that keeps the creative process engaging after all these years.